OBSERVATION OF FACTS
Facts have no eyes. One must
Surprise them, as one surprises a tree
By regarding its (shall I say?)
Facets os copiousness.
The tree stands.
The house encloses.
The room flowers.
These are facts stripped of imagination:
Their relation is mutual.
A dryad is a sort of chintz curtain
Between myself and a tree.
The tree stands: or does not stand:
As I draw, or remove the curtain.
The house encloses: or fails to signify
As being bodied over against one,
As something one has to do with.
The room flowers once one has introduced
Mental fibre beneath its elegance,
A rough pot or two, outweighing
The persistence of frippery
In lampshades or wallpaper.
Style speaks what was seen,
Or it conceals the observation
Behind the observer: a voice
Wearing a ruff.
Those facets of copiousness which I proposed
Exist, do so when we have silenced ourselves.
Charles Tomlinson
Facts have no eyes. One must
Surprise them, as one surprises a tree
By regarding its (shall I say?)
Facets os copiousness.
The tree stands.
The house encloses.
The room flowers.
These are facts stripped of imagination:
Their relation is mutual.
A dryad is a sort of chintz curtain
Between myself and a tree.
The tree stands: or does not stand:
As I draw, or remove the curtain.
The house encloses: or fails to signify
As being bodied over against one,
As something one has to do with.
The room flowers once one has introduced
Mental fibre beneath its elegance,
A rough pot or two, outweighing
The persistence of frippery
In lampshades or wallpaper.
Style speaks what was seen,
Or it conceals the observation
Behind the observer: a voice
Wearing a ruff.
Those facets of copiousness which I proposed
Exist, do so when we have silenced ourselves.
Charles Tomlinson
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